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Description:

Epic, intimate, hilarious, and heartbreaking, Henry IV tells a story about the trials of growing up and the tragedy of growing old, about fatherhood and friendship, the people we choose to become, and the ones we leave behind, be it for good or ill. This production of one of Shakespeare’s most magnificent tales will be fast, furious, no frills fun. The beautiful intimacy of this story will be given a chance to flourish in the Upstage as we “cram within this Wooden O” a story of boundless energy and heart. The Henry IV ensemble includes: Nick Heiderstadt, Richard Jones, Scott Keith, Stewart Moneymaker, Angela Pirko, Corbin Puryear, Sam Reeder, Laura Rikard, Dan Sterlace, Josephine Stewart, Kath Torbet, Andrew Towns



Playwright:
William Shakespeare

Director:
Sara Holdren

Dates:
Friday, Apr 23, 2010 at 8:00 pm
Saturday, Apr 24, 2010 at 8:00 pm
Wednesday, Apr 28, 2010 at 8:00 pm
Thursday, Apr 29, 2010 at 7:30 pm
Friday, Apr 30, 2010 at 8:00 pm
Saturday, May 1, 2010 at 8:00 pm
Wednesday, May 5, 2010 at 8:00 pm
Thursday, May 6, 2010 at 7:30 pm
Friday, May 7, 2010 at 8:00 pm
Saturday, May 8, 2010 at 8:00 pm
Wednesday, May 12, 2010 at 8:00 pm
Thursday, May 13, 2010 at 7:30 pm
Friday, May 14, 2010 at 8:00 pm
Saturday, May 15, 2010 at 8:00 pm
Sunday, May 16, 2010 at 2:00 pm
Wednesday, May 19, 2010 at 8:00 pm
Thursday, May 20, 2010 at 7:30 pm
Friday, May 21, 2010 at 8:00 pm
Saturday, May 22, 2010 at 8:00 pm


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8 Responses to “Henry IV, Parts 1 & 2”

  1. Bill Rough Says:

    Hi Sara et al:

    Auditions at end of Jan. Opens April 22 (preview). But how long is the run????
    Bill

  2. saraLA Says:

    Hi Bill,
    The run is April 23 (22nd preview) to May 22!
    Thanks,
    –Sara

  3. jude Says:

    Any place I can see a clear shot of the poster? Or if its a cobbled low res in the works kinda thing,neh mind. It all sounds great- hoping I can make it down.

  4. d Says:

    how long is the show? it runs from 8pm until….?

  5. Brad Says:

    Y’all should post the song list from the pre-performance and intermission.

    the versions of Todd Rungren’s “Honest Work” and Tom Wait’s “Come on up to the House” are genius

  6. saraLA Says:

    Thanks Brad! We’re so glad you liked them!

    Here’s the list of tunes:

    Honest Work (we based ours on the version by Maddy Prior)
    Tango Till They’re Sore (Tom Waits)
    Streams of Whiskey (The Pogues)
    Whistles the Wind (Flogging Molly)
    Come On Up to the House (Tom Waits)
    The Parting Glass (trad, we used the version by The High Kings)

  7. Rachel Says:

    We joined you last night for this outstanding performance! What a multi-talented troupe you are, merrily playing instruments and joining in song before the play and during the intermission. And what a treat, Sara, to have you greet everyone with such bubbling enthusiasm and share your hearty laughter throughout the performance. The 60 seat setting made for a very intimate experience, the actors physically engaging the front row and each audience member with such intent gaze. I admit we strayed in parts due to the language barrier within a not-so-familiar play, so now we’re anxious to go back and read it to grasp what many audience members did with such delight. The dioramas in the reception area provided wonderful detailed background history and information. In true Shakespearean form, each actor/actress displayed enormous talent within their multiple parts. We will have to check out more LiveArts performances! Thank you for a delightful experience!

  8. Myrta Says:

    We joined you last night for this outstanding performance! What a multi-talented troupe you are, merrily playing instruments and joining in song before the play and during the intermission. And what a treat, Sara, to have you greet everyone with such bubbling enthusiasm and share your hearty laughter throughout the performance. The 60 seat setting made for a very intimate experience, the actors physically engaging the front row and each audience member with such intent gaze. I admit we strayed in parts due to the language barrier within a not-so-familiar play, so now we’re anxious to go back and read it to grasp what many audience members did with such delight. The dioramas in the reception area provided wonderful detailed background history and information. In true Shakespearean form, each actor/actress displayed enormous talent within their multiple parts. We will have to check out more LiveArts performances! Thank you for a delightful experience!
    +1

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